INDU: Commensalists and Hand Me Downs Mixed media installation 12 ft x 12 ft x 12 ft 2008
This work came from an earlier residency at Indiana Dunes National Lakeshore in 2006. I finished cutting the plates and printing the prints that came from that residency, while I was in residence at the Oregon College of Art and Craft in 2007. This installation was created for the 2008 AIR Exhibition that brought back all the participating artists for a show. I combined a large drawing, archival digital C-prints, woodcut prints, commercial mesh banners and ephemera to create the effect INDU had on me in 2006.
This work has been featured in a National Parks Publication,
Stilts and Cranes three watercut sculptures in cypress frame elements, benches, slate black board element, Stiltsville structure with roof 2007
This work was commissioned by Schools of Choice/Magnet Schools for an interior courtyard of one of the oldest schools in Miami Dade County Public Schools. Using the original blueprints from the school district and site visits, I designed an outdoor classroom for approximately 30 students that included seating, a blackboard and sculpture elements. At three of four compass points I placed images of things that could be found at the corresponding compass point: To the East, I made a relief print (watercut aluminum/powdercoated) of Stiltsville and Biscayne Bay that was supported in a structure reminiscent of the Stiltsville houses out on the Bay, incorporating a large natural slate chalkboard; To the West, I made a relief print (watercut aluminum/ powdercoated) of a Sand Hill Crane in the Everglades, a resident of the Everglades’ ecosystem; To the South, in a nod to the rampant construction in the early 2000’s, I made an image of the Construction Cranes that were seemingly everywhere in the sky. Seating was provided near each image on three 12 ft x 12 ft square concrete slabs using concrete pillars (stamped with both Sand Hill and Construction Cranes) and native Cypress plank seats.
A landscape plan with native plants and wildlife attracting, flowering shrubs through the generosity of Rick Yasko, Landscape Architect and Visual Artist. Both the landscape plan and my original design were created to supply an ongoing conversation between this classic 1920’s Spanish Courtyard, the vanishing community of Stiltsville, the Everglades with its indigenous species of wildlife, and the rapid changes to the urban Brickell corridor.
An artist’s residency at Oregon College of Art and Craft in 2007 was a rich experience, kitty corner across the world from what I am used to. The Cascades are incredible, volcanoes popping up from the ground, from California through Washington State. I came with the hope of creating an homage to Hokusai and the people of Portland. I left with renewed friendships from my youth and new friendships with Portland’s finest.
All images in this series 16 inches x 20 inches, black ink on Japanese paper, edition of 20.
Books using Long Stitch bindings (workshop with Rory Golden, Center for Book Arts, NYC), Books using quire bindings, simple and complex (workshop with Julie Miller, Oregon College of Art and Craft), Books using Coptic bindings (workshop with Marion Lavery, Holter Museum, Helena, Montana)